Futuristic story genre

Meta

To create a meta concept, we need to acknowledge that a meta is a literary term that refers to the reflection or commentary on a story, film, or play. The meta is often used to comment on the conventions of storytelling, the nature of narrative, and the relationships between the reader, the writer, and the text.In a meta narrative, the story often subverts or plays with the conventions of the genre, creating a self-aware or self-referential style. This can be seen in films like "Metropolis" and "2001: A Space Odyssey," which use the genre of science fiction to comment on the nature of humanity and technology.The meta can also be used to explore the relationship between the creator and the audience. In a meta story, the creator may comment on their own work, the reader, or the audience's expectations, creating a sense of intimacy and collaboration.

Deconstruction

Deconstruction is a literary term that refers to the process of analyzing and criticizing a text, particularly a work of fiction, for its underlying assumptions and conventions. In deconstruction, the author is often seen as a device, a tool used to create meaning and interpretation.In deconstruction, the reader is encouraged to question the text's meaning, challenging the author's intentions and the reader's assumptions. This can be seen in the works of French post-structuralists like Jacques Derrida and Michel Foucault, who used deconstruction to critique the nature of language and power.Deconstruction can also involve a critique of the genre as a whole, questioning the assumptions of the genre and the conventions that govern it. This can lead to a more nuanced and complex understanding of the genre, as well as a deeper understanding of the ways in which it reflects and shapes our society.

Parasitic

Parasitic is a term that refers to a relationship in which one organism, or entity, benefits at the expense of another. In a parasitic relationship, one organism or entity grows and develops on or within another organism or entity, often at the expense of the host's own growth and development.In the context of storytelling, parasitic relationships can be seen in the way that a character may slowly consume the resources of the world around them, often at the expense of other characters or the story as a whole. This can be seen in the works of authors like Cormac McCarthy, who often creates characters that are consumed by their own darkness and despair.Parasitic relationships can also be seen in the way that a narrative may use external forces or events to drive the plot forward, often at the expense of the characters' own agency and free will. This can be seen in the works of authors like Stephen King, who often uses horror and supernatural forces to drive the plot forward, often at the expense of the characters' own sanity and well-being.